March 5, 2020

Mary Sipp Green

Midsummer Twilight.
Once again, the story is simplicity and quiet.

Mary Sipp Green works with a limited palette, gloriously omitting detail.

I've seen these places. In my heart.

Realism? Impressionism?

Boxed notecards.

January 12, 2020

Cosmic Cathedrals.

Frederico Scarchilli
After years of basking in images and fantasies of cathedral spaces, I've come in my studies to what I consider the archetype.

Romanesque cathedrals, with features of early Roman architecture, are simple and unadorned in their structures, coming from a tradition that considers darkness a feature that nourishes spiritual experience.

Gothic structures exploded with light, the engineering allowing for windows, thinner shells, vast open spaces. They also come with elaborate fancywork in sculpture and stained glass, full to overflowing with symbolism and content.

Bridging the developmental period from Romanesque to Gothic are the Cistercian cathedrals, based on the simplicity of life supported and encouraged by followers of St Benedict.

This Italian Cistercian Cathedral seems just right. Simple, and washed through and through with light.

I discovered this image in the architecture website ArchDaily.

Scarchilli's work is deserving of many hours of immersion.


Now I turn to the Cistercian tradition to see how this reflects the development of my deeper spiritual world. To my great surprise--or not--the abbey down the road from my small rural home is a Benedictine center. I've watched and supported its development for decades now. I'll be visiting again soon with a new and more appreciative openness.

December 15, 2019

Stickwork at the Denver Botanic Garden Farm.



Coming over a slight rise in the trail, I saw a large plant-animal nestled at the foot of a grove of cottonwood trees, perhaps sleeping on a snowy December morning.

As we approached, the willow branches became visible.The creature lay still. Strangely peaceful.

Fell Swoop, it's called. Created over several weeks by Patrick Dougherty and a team of volunteers, it's a permanent resident at the Chadwick site of the Denver Botanic Gardens. Except permanent is a relative term. Like Andy Goldsworthy's work, Fell Swoop is intended to age in place, slowly turning to compost as it returns to earth.

I came to this place as a surprise birthday gift from my family. Invited to go for a ride, we drove three hours from home in the high country near the Wyoming border. I tried to anticipate where we might be going, guessing to myself all along the distance, through the metropolitan Front Range.



My family knows of my near-obsession with land art, which I act out on our three-acre wetland / meadow / aspen and pine grove land in Larimer County. Just this summer I was invited to participate in the creation of a Peace Garden in the middle of our willow grove. This meant no fewer than seven utility trailers of dead willow branches being hauled to the slash pile.

So I speak from close experience when I recognize the work of assembling Fell Swoop.

Like all fine land art, the human hand and imagination enhances the world it inhabits, slowing me down to truly appreciate the beauty of Place.



December 14, 2019

Turner's Intention?




 
St Erasmus and Bishop Islip's Chapel, Westminster Abbey.

I look at prints of art works and see any number of variations of tonal quality in various reproductions of the same works.

Having spent a bit of time developing skills in accurate capture of colors in works of art, I wonder about the artist's intent.

Yet seeing so many variety, and with no access to the originals, I find myself projecting my own values into the works.

Predictably, that means a wider range of tones, and more emphasis on the dark.

Did JMW Turner truly intend this to be a high-key watercolor, as it is so often displayed online in today's world?

Or would he have preferred to see his darks more full of mystery?

November 11, 2019

Joseph Mallord William Turner

 St. Erasmus in Bishop Islip's Chapel, Westminster Abbey. 1796.
As I stumble along in my learnings, I discover deeper layers to classics than I knew existed.

Most of JMW Turner's public and published work these days seems to focus on his later life, in pushing the edges of watercolor into new territory anticipating the development of impressionism.

Going into his actual development as a painter, I discover his explorations as a young man in capturing architecture and landscapes. He has quite a body of work in cathedrals. In 1796 he was scarcely 20 years of age.

Given where I've come to in my eighth decade, this is a find to explore further.

October 27, 2019

Hook and Moore Glade

One day this will be underwater.

Looking north from the top of the mountain behind the saw mill.
 In the American West, water is precious.

"First in time, first in line" is the law of water rights. Its first definition came from competing demands in this very part of northern Colorado, as irrigation infrastructure from Greeley and Fort Collins vied for use of the limited waters of the Cache la Poudre watershed.

Growing population along the Front Range requires additional water supplies. Glade Reservoir. With water rights purchased nearly 40 years ago, the feasibility study for this project was completed in 2001. Planning calls for first water to be stored in 2028.


Highway 287 along this valley is our connection to Fort Collins.

August 21, 2019

Markus Brunetti Part II

From the New York Times.

The facades are recorded one square meter at a time, from a fixed position; then these tiny images — from 1,000 to 2,000 — are painstakingly stitched together.

This work comes back to haunt me.

June 27, 2019

California Tower, at Balboa Park in San Diego

The area here is so overgrown now, in the Southern California year-round growing season, that it's impossible to appreciate the beauty of these remains from the Panama California Exposition of 1915.

This water colors captures the spirit of the place, as I have experienced it in direct contact.
Balboa Bridges, Charles Arthur Fries, 1916
The cover of the guide book is a more photographic image, water-color as well but with a different sensibility.
 I much prefer the more impressionistic.

November 27, 2017

Edo Hannema, Watercolour Artist

Durgerdam
Social media is the blessing and the curse of our age. One that I do not name and do not link to has expanded my universe of good art and generous artists.

Edo Hannema works from The Netherlands, showing his art, sharing his vision and his methods.

As with many watercolor artists, and particularly those in the flatlands of the world, he makes his skies more detailed and even florid than my tastes run to.

But he is also a master of simplicity.